Wednesday, March 24, 2010

Things that Rhyme

I see your face in a new magazine
a liberal, libelous trendy new dream
where everyone lays down their "Silent Night" theme
and picks up a play, digests a scene:

A man hits his mum with a dandelion flower.
A woman cradles her child in the shower.
A boy catches frogs with magnanimous power.
A girl kisses skin and finds it quite sour.

These are all part of the tapestry of dreams
the quiet, the tranquil, the twilight, the obscene
playing around a little "Silent Night" theme
while sleep washes the night-time soul clean.

Monday, March 22, 2010

Seven Seconds

I will dream you for seven seconds every minute
and in that time, I will become a better version
of myself. I will try, in many ways, for the next
fifty-three, to forget you. I will attempt to leave you
and the way your body feels first thing in the morning,
soft and round and full like the canopy of a forest.
I will sandblast you from my mind. I will occupy
that space with facts about oil tankers, harbor seals,
and how many times Al Gore has been on Saturday
Night Live. I will finally remember the answer
to the clue from the crossword puzzle we slew
last Tuesday, but there you are again, and I will try
to forget. I will daydream of mountains and Harvard
and doctors, but I will not think of how beautiful
you are cooking in the kitchen next to me, when,
through the open window above the sink, the sun sets
and a loon cries on the lake. I will slay memories
of dinners and dates and late night kissing
in a thunderstorm, getting soaked with rain
and the smell of fresh skin. But by then, a minute
has passed, and seven seconds of you begin again.

Motion

We pour out our iron feelings
on a skillet of half-done dreams
and this only gets us as far as
sleep again tonight, especially
after the other night, when it
only got us as far as sleep before.
There is a dance I want to teach
you that goes so badly into the
depths of you it is like the monsters
you knew lived under your bed;
it's the kind of fear that plumbs the
depths of whatever is in your head
like dreams and stories while we're
half-awake and falling back into our
bodies and out of the state
of pure being. I suppose there is a
final way we could organize each
other, that might complete the
understanding and leave us to go
out and have happy finalized lives
but we cling, and I cling and cling
and live out a fantasy while I still
may, while it is still May, and the
sun is shining and October won't
bend it's dead-leaf hand to bother
the windy happiness of two people
in a constant state of emotion.

Wednesday, March 10, 2010

Quite a Time

I haven't written in a long time. I apologize for that. Quite honestly, I've had little time to myself. I'm auditioning more lately, trying to become the ambitious young man of some promise that was told in Mrs. Robinson's art class, "You will go places." I feel I've stalled that all-important journey till now and I'm trying to make up for lost time.
I'm sitting at an EPA, trying my hardest to come up with something to do while the hours drag like the ashen scar of a cigarette along a 35-year-old whore's calf. I'm bored, tired, and hungry. These are feelings I should probably get used to. It seems the lot of the artist: to suffer, just as the lot of the banker is to exploit third-world countries; the rodeo clown to dance with the bull's horns.
So I'm here, undulating in the tide with the other refuse of artistry in this city. We are without talent, not without splendor, not without presence - instead we lack a purple slip of paper with our name printed above the glory of "Actors' Equity Association." And we are expected to wait.
To wait is the worst suffering in humanity. Something makes me think Hitler was forced to wait quite a lot as a child. It is an unnatural human condition, especially in a city as verbose and dextrous as the island of Manhattan. One is always on the move in this great seething landmass, as if an invisible were pushing us. Instead of gentle guidance in the small of the back, though, it is an unfriendly slap in the back of the head. It forces our eyes down, our shoulders up, and our spine to bend like Cookie Monster's favorite letter. We are creatures meant to move, to run, to throw our hands in the air and shout, "YES! I believe in fresh air as my drug of choice!!" So waiting becomes the arduous task of the millions whose artistry will be tested, trimmed, pulled, considered, reconsidered, rejected, compartmentalized, and thrown to the rubbish heap. That's just the few first few seconds, too.
But we go back again, because love is the most important force in this world; the mover and shaker of men, and therefore anything and everything we lay our desires on. We gamble with the wind of tragedy, because sometimes it all comes out ok.

Starting Off

I crammed myself into your pocket
like an old lottery ticket. I jangled
with you as you went to the bodega
and picked up one of those stale
ice cream cones they sell in the freezers
that are not cold enough.
As you walked out, you stepped
in a pile of dog poop, and cursed
the animal for its loose morals.
You strode up the street, me
bouncing in your pocket like an old
lottery ticket, and your worn out
white chucks beating a drum pattern
into the mint gray sidewalk.
You had on tight white jeans,
faded as the cover of an old country record
and bad bad Ray-Bans you stole
from your dad's sock drawer. Bouncing
in your pocket like an old lottery ticket,
I felt like the paparazzi at a street fight:
all wound up with the rhythm of you,
struggling to get a good look at what
exactly is going on, but always only
finding the two dimensions and
rectangular box it takes to make a
black-and-white-know-nothing story.
Cuz I'm just along for the ride.