Monday, December 20, 2010

Monologue #3: Educated Tramp

She got a little lie on her face, a little lipstick that doesn't fit in, that says, "Hey Jack, 'how bout you come over and we play a little find the pickle."  Her jar is open, 'cept it ain't anythin' but.  She brings 'em over, steals their wallets, chains 'em to a bed and beats 'em to death, so she got a little lie on her face, that creeps at ya, cuz you know what she's about.  She leaves 'em wanting more.  She leaves 'em chained up dead in a different room each night, and ain't nobody found her yet cuz they all junkies or whores, or some shithouse racket that don't care about anyone or anything so nobody cares about them, how 'bout that?  How 'bout you leave this place before I tell ya more?  How 'bout I tell you that the President ain't got no balls, or the balls he got ain't big enough cause I seen 'em swingin' and nobody pays attention to it. How 'bout that guy that blows the whistle on every major government just got the rape whistle treatment blown on him?  How 'bout that?  How 'bout life makes us all losers, and all of us dream to be somethin' better, but we ain't actually anythin' better than what we were born with.  You still believe that nature over nurture shit?  Cause I believe that I'm a votin' American that don't give a damn what the fuck Congress does, I just bend over and take that shit all night.  How long's the night gonna be?  Huh?  Huh?  So we got a murderin' whore, a President with no balls and me takin' the splintered of a broomstick up my rectum each night so we can all sleep better.  Welcome to America, where as long as you're asleep, you're better.

Sunday, December 19, 2010

Silent Night Snow

In the golden candlelight of melancholy,
I visit memory
and find snow.

Besotted by snow!
Nights rapt by the windows
watching flakes fall
delicate through the soft glow
of incandescent street lamps;
muted gray pervading the air,
sifting silent gentle ice crystals
one on top of the other.
The world is a lily-white dreaming.

There is never a quiet
like the quiet of snow.

The birds flit between it,
fairies in the dim-light,
silent as time, invisible
as breath.

There is a quiet between us.
A silence.  Runny noses
and bright red cheeks
from a scraping heavy
on the gravel driveway.

Does the damask air
inspire you too?

Whoosh, deep breaths!

Limitless ecstasy,
silent night snow.

Friday, December 17, 2010

Progress

I equate it to listening
to your mother's last heartbeat -
the inexorable pound
that eventually will stop
while you sit helpless
next to her hospital bed

and watch the stereophonic
heart monitor fade.
There is a tightness
in the chest, a tightness
in the back, a tightness
around the eyes

and through the mind,
no peace while days
drift away and the slow,
inexorable pound
builds and builds
till nothing is done

and nothing accomplished
and another year
ends how it very much
began, in a black suit
catered affair, except
you're the one catering it.

Monday, December 6, 2010

20 Different Words for Snow

As snowfall goes, I love Burble,
big blops of snow to trouble mittens.
Teezer and Snikwit, small stinging razors,
come out like claws of kittens.

Kummf drops slowly from a shovel,
weighing thousands of pounds,
Liminy, Shiminy, and Pizwee
lightly flurry, never touching ground.

Baekiss snow just comes and goes,
and crotchett snow is crunchy.
Sempine snow is best for snowballs,
and sheany's snow for jumping.

Quelto is for birds on the feeder,
Dristop for when they cannot fly,
Shupair snow comes all at once,
and Skimty drifts slowly on by.

Gramdair is the majestic snow,
and deskawn brings icy death.
Lijen cancels school for days,
and timple tastes the best.

But for all the snow
that snows these ways, 
my favorite snow is Whishram.
Whishram comes as a fire roars,
with cocoa for all the children.

Come Whishram, Burble,
Teezer, Snikwit,
Baekiss, Kummf, and Shiminy!
Come Sempine, Sheany,
Dristop and Shupair,
Lijen, Timple and Liminy!

Throw yourself around this city,
clothe us all in white,
and leave us feeling warm and full
on a snowy Christmas night!


Friday, December 3, 2010

Imagine

All it took was one
simple song 

and moving my body
to a beat no one else
could hear
to change

the linen white of my ceiling
to the night sky.

Sunday, November 28, 2010

Dreaming

Remember how we used to be young 
and stay up all night and dream of things to come
like a once-remembered song
in the moonlight a lalalong time ago
and how we were dreaming just now
dreaming like mannequins 
dream in a store window
breathless and timed out
as if they were in the middle
of something very important 
but too important to be ignored 
by those of us walking by
and we could be drawn into that world
that raging world of sand-blasted skin
colors and dervish thought, like a dream
we almost forgot out of the windows
and into the mire of thought
and thought and thought and a thought
I thought when I dream of you
is that I hope we get one night
to spend inspiring each other once again
and I hope that 4 AM comes way too soon
and I hope you leave on that plane
missing me and those nights we used to have
that happened again
because sometimes at 2 AM all I think about 
is the world in dreams, sometimes I dream awake
sometimes I leave all this world for a fake one
and I digest my food in a delirious state
and I track my romance like fresh-baked bread
warm and cuddly and soft
and good with something to spread on it
good with a little addition, a spiced gooseberry jam
or some kind of cheese made from goats or lambs
and how I dream those things into being
on nights when I can't be anything 
anymore but a dream of someone else
dreaming of you turning over
and telling me, "Wait, there's more."

Saturday, November 27, 2010

Ginsberg

Sometimes beauty is in the eye
of the beholder.  My scratched arms
tell a story of conflict:

the cat and myself
squaring off in a test of manhood
brought about by day-old food

and pent-up loneliness,
from both sides.  He actually
went for my neck at one point

and I know I caught
him between the eyes
and then 

an uneasy truce pervaded
the apartment.  I gave him
new food, he came

and sat on my lap 
for a time.  I apologized.
He splayed out belly-up

and tried to play 
with my shoelaces
as they were tied to go.

I suppose the most 
beautiful part of the day 
was the entrance before he and I fought;

coming from the cold 
into a warm hallway 
that always smells like cinnamon

and opening the door
knowing I would have something
to talk to at the end of the day.  

My scratched arms
tell a story of conflict,
and we probably both needed it. 

Friday, November 19, 2010

Drowning in Autumn

The generous
are bar patrons willing to pay
friend's tabs.  They want a chance

to show that breaking bread
and sharing mead is tradition.
Most deals are inked in wine or beer
or clear snowy cocktails.

You could say we met
with the pouring of a beer
on my pants.  We left
with a beer in our stomachs

and salt-red cheeks,
like pretzels baking,
to keep us drinking.

Tuesday, October 5, 2010

A Self-Pitying Epilogue to a Long Day

Sometimes I think it might be easier
to give up and move to India.
At least my one hundred thirty dollars
would go somewhere there,
at least I might find something else to do
beside slave away in this 
insufferable city.  I feel like New York
is an experiment gone wrong,
and we artists come here
to try to turn this broken place
into a beautiful dream
of utopian art, but instead we struggle
and live heedless, headless lives
that end up tearing us apart.
So let’s move away to London,
to Paris, to Rome, find a home
in the simplest of places 
and live quietly out of suitcases
full of dirt, growing vegetables
that travel around with us
and keep the tags on our skirts
to return them when we get back,
with all the dust of the world
enveloped in their wrinkles and cracks,
making travelogues of our clothes
and a worn covered knapsack.
Let’s engage in political discourse,
in native rock’n’roll, lift vintage 
ideas out of our wounded souls
and disburse them amongst the locals,
leaving them with questions about who they are
and what they eat, and why they live
in the place they do, except
these are all questions 
we ask ourselves without exception
and can’t find the answer,
so we’re sampling everybody else’s
way of living and finding happiness
because New York can’t give you that,
it can’t give you happiness 
it can work you to the bone,
leave you feeling cold and alone
at the end of a long day,
when you have nothing to go back to
but your windowless, airtight room
and all of your dreams are an ocean away
living life the way you wish she would
when she was with you, 
but couldn’t, because you couldn’t
make her happy as she is when she plays.
So you write.
And your dreams exposit reality
in simplest words, turns of phrases
that conjure banality
and lost potentiality.
And you don’t write for the masses,
you write for yourself
and maybe that’s why you can’t find 
a market to dwell in, can’t find the courage
to share all this beauty
your head conjures from nothing,
can’t believe your thoughts
could be worth hearing
much less reading,
but maybe they are 
and maybe you should try
and learn why you love
putting words down
on paper so much.
Maybe that’s right
and New York is just a stop
on the way 
to make you realize
that life
is what you make it
and dreams are what you dream them
and the road is where you go,
not what you follow.
And ultimately,
all this suffering 
leads to learning
and leading a life 
that is worth something.
That is earned,
not conjured from nothing.

Monday, October 4, 2010

Confronting the Past

We think about love
in our mud-rusty blanket phase
and we come up with ultimatums:
Ultimately, for me to move on,
I had to cut off contact with you,
had to leave the sphere of life
you maintained and spread
my wings to fly away.  
I cannot imagine it happening
any other way, cannot imagine
life as it could have been,
but it could have been different
and I’m so happy it’s not.
I’d be somewhere, unhappy
because I was not an artist,
I was a lover with a chained wrist,
a writer without pens
mired in a bog of could-have-beens,
because now I’m in New York,
living life dreamily and writing
all these words to make up 
for any hurt you might have caused me.
Because I did hurt, 
and that is why I left,
I needed a change,
a nut in my brain tightened
and I stopped paying
attention to you, stepped
out of your world-sphere
and into dreams 
made of Katmandu
and Australian women
with pretty smiles
and blonde hair
and it was enough 
to distract me,
at least for a while.
I changed so much,
found out the world was bigger,
found out I was smaller
and found, upon coming back,
that my life needed more
and I needed to pay better attention
to all of it and use my dreams
as fuel to get somewhere
and I did.  I’m now somewhere,
doing something
and so are you,
but reading those old thoughts
brought me back to a time
when it all was as simple
as the next best line
I could give you 
to make you feel 
beautiful.  Life isn’t like that
anymore, it’s more complex,
and more rewarding,
but something about first love
leaves me wishing I could
always be back in that first moment,
that agony of pain in my chest
like rain on a sunflower,
dripping from me 
and lighting up my world
with summer and winter
all at the same time,
two juxtaposing limitless forces
combining to rhyme
themselves over and over again.
I’m embarrassed to be who I was
back then, but it taught me 
that I need to fight my battles
with my pen and dream up stories
that make people laugh and cry
and feel something close
to what it was I felt
when I first saw you
and my throat closed up,
my hands were sweating,
my heart was beating faster
than a mouse faced with a sleeping 
cat, and I saw your face
and said THAT is what I want.
And I never got it,
which is maybe why every 
relationship I’ve had has sprung
out of another ending,
maybe I’m just pretending
they are all you and that’s what
I want.  But I don’t think that’s true.
I wanted the picture of you
I kept in my head, because in the end
I never really got to know you
the way he did, and I’ve found out
since there is more to a relationship
than almost kissing on the lips
and talking in cold streetlights
well into the night. It takes 
more than that to make two people
one.  And I love my woman now,
she is radiant and golden
and has taught me about the world
in ways I never dreamed 
and complicated my ideals
and set me up to become
greater than I can imagine,
but I think part of me
will always be that small boy
inhaling love in a small high school
auditorium at fourteen years old.
I never want to lose that,
and that part of me will always be there,
always ready to find beauty
in the first morning hours
when she wakes up,
turns over and stretches
into a tea-cup, wearing
old big t-shirts and glasses,
laughing and yawning
as she sips english breakfast
and tries to tell me 
I’m ridiculous 
for bringing beauty 
out this early.  But
I’ve found it again,
this spark to write down
details of life,
feeling words the way
a warm fire feels 
on a frosty evening;
finding beauty 
in demagoguery 
and hegemony,
passing consonants
to and fro,
assonations
and alliterations 
rambling high and low.
But what I’m most grateful for
is a chance to re-visit
the pure passionate self
that created so much art
so fearlessly and with such wealth
of talent and courage
that I envy him his point-of-view.
There was only one way 
to see things and he saw it
clear as day, saw the world
change and move
around one stationary object:
Love.  
And a part of him
still does. 

Friday, October 1, 2010

The Third Time I Was in Love

I believed in you once
when we were younger,
when I could hear 
the sound of your laughter 
coming from across the way
and I’d speak to you tenderly,
quietly, unabashedly, as I might
if I were a lover.
I believed in you.  
You were a real being, 
of flesh and blood,
of secrets and scars, 
scary real-life secrets 
told only in cars at night
right before I dropped you off 
at your home, right before 
you broke up with your boyfriend 
and I slipped in.  
And we danced and sang, 
but I was angry
and I was young, 
and the only way
we could relate 
ended up being fighting 
and the only way I could love you 
was to slap you in the face
and laugh, thinking 
I was doing you a favor,
while in fact I was reinforcing 
every archetypal struggle
you put a face on and called lover:  
that you amounted to little more 
than a plaything to screw over
and over again, till this fantasy
drove you to other happy-inducing ends.  
Every boy has to grow up
and be a man eventually, 
and dabbling in dark lust
lets these candid emanations 
of our natures grow to dust gently,
and I’m sorry you were used by more of us 
than was never necessary.  
So teach me the girl
from across the way isn’t gone
with a smile and a kiss
like a high note at the end of a song
and maybe one day 
we’ll meet up and you’ll be ok.  
Till then, I’m sorry 
I helped you turn out this way.

Wednesday, September 22, 2010

Night Sky #1 (from Maine Poems)

There is a strange beauty
that creeps under the doorway
around these midnight hours.
Little tealight hours that sometimes
waste away like light on a page,
passing from east to west
like reading the Milky Way
across the night.  I remember


when we did that not a month ago,
when I, with my flashlight in hand,
led us down the stairs 
from our bed
on the porch 
to the shore of the lake
and flung the simple light into the sky
to find out constellations
and stay close in the cold
of Late August, Maine.  


Then we hopped up the porch
and slept peacefully, making love
almost as an afterthought,
an addendum
to an already beautiful night.
What more love could 
we show than 
sharing the clear night sky
and the crisp cold air 
with each other?  


If two bodies, clasped together,
craning their necks high into the dark,
fingers sharing knowledge 
of history's great secrets,
breathing each other's passion
for life into the art of the sky


is not making love


than what is?



Saturday, September 18, 2010

Desperation

I've lost touch.

My muse is not forthcoming, even 
so close to midnight when nothing
else is supposed to come along
and distract me but the silent reverie

of a voice speaking pretty words 
through the back of my head.

Instead, I'm caught half-aware,
listening to logical sentences
that don't get me anywhere
but the delete button 

on an off-white page.  

I'm a product of my age,
a writer in the temporal flux
of nearly-manhood,
that can't find a story
quite good enough to tell

or the belief to tell his own story
that is good enough to tell.

So I sit here, at midnight,
a flute with no wind,
completely flat when it comes
to inspiring a need
to write a poem
that is decently read.  


Tuesday, September 14, 2010

Love

-originally written 3/17/09


You could smell the grass was growing today
like the night we first made love. And it's not
like you're thinking, cause we didn't make love.
We made - love. Like a bird makes love to a
song, like a wolf makes love to the moon, like
a starfish floating gently on the tide on a twilit
night makes love to the motion of Mother Earth -

we made love. It was love, like a song lyric
on a road trip day, where the sun gleams on
the hood of your car and a rabbit hops along
the width of the highway, a culmination
of your teenage angst; an amalgamation of
dust and pot and tears that rolled up
together meant - high school. But again,
that's not what you're thinking either

because I didn't really get high till college,
when I saw her, and I was transported by her
mossy eyes, that reminded me so much
of a memory I couldn't grasp at anymore,
like a leaf picked up by the wind and
thrown into a stream, to travel and become
sediment and dust feeding a mossy rock
on some wide river in the middle of

nothing and nowhere. Which is exactly
the beginning of love, a place of nothing,
like a lighthouse in the middle 
of a town square, that gets beat up 
by wave after wave after wave
of incessant tide-lines.  To be a rock
against the ocean is what love truly is - 
and it only gets smoother over time.

MTV Watching

There is something really off
about the MTV Movie Awards.
I could write more,
but I'm not sure
that devoting
time
to mediocrity
is a worthy way
to spend the evening.


But I continue my viewing.


It's like watching a clock ticking
backwards.  These people who
race against the magic of time,
who throw themselves fondly
into the arms of publicity -


seems to me a dangerous stunt.
I suppose the biggest might be
grappling their way out
of the limelight because I
watch them and feel nothing


but a slight sense of discomfort
that they know they are being
viewed by millions and judged
by millions and loved by millions


of people.  But they are people
and they are more than people.


They are our golden idols
and we worship the millstone
of Hollywood with offerings
of corroded arteries
and sugar-driven nerve fires.


Oh to wake up one day
and see it all burn down
and watch a crossword
get put up in place
of the Hollywood sign.


But we would all probably
get bored by that really soon
and start making up words
to fill up weird spaces
and pretty soon the words
Hollyw and Ood
would end up together
and we'd start all over again.

Walking and Thinking

I believe in watching time pass
through the lighted window
of grace.  There was a moment


today when stained glass
mandalas made more sense
than any linear pattern,


so I went inside, out
of the straight-pouring rain,
to contemplate my loneliness


closer to God.  Today
was a day I wished I could paint;
pale trees through a mist


of snowflake rain, alighting
on face and hair and arms
with such goodness


that being sheltered from it
would be insulting a higher
power.  I walked.  Trees


like old Norse gods,
spreading out their strength
before the inevitable dying-time,


became my companions,
and I thought about sitting
underneath, till an old man


in a jazz reverie
sat too, and I left him
to his remembrance.


It was a fine day to walk,
explore, imagine, dream,
do all of those shapely


awkward calculations
of the future like we used
to when we were kids.


I thought about you, about
life, about London, about French,
about omelettes and crosswords


and finding trails where there
were no trails anymore.  I thought
about writing and recollection,


about stories, about disease,
about struggle, and money,
and children, and fireplaces.


I thought about Christmas,
and music, and laughter,
and I thought about Paris


and I thought about you.
The day was wet with these
thoughts, spattering


the ground around me.
Where the huge mulch lay,
thoughts coagulated


and rose in steam heat
back to their origins
in the clouds.  



Sunday, September 12, 2010

New Boys and Old Boys

We ate and laughed
and drank and you were there,
in the little light room,
surrounded by your antipathy
in the form of friends.
I suggested a conversation;
it was lost in translation
of your anger to foam
to an ice cube
pressed against your lips,
a coddling of ice akin
to a hand against your hip
that I knew you missed so well.
He was older than you in a way,
because he was gone quicker than you

and you
still
love him.

In a quiet way,
perhaps,
you
still
love him.

I could tell you that a million times
and every time it would be true
but you won't grow any older
than a flower in the mud,
a perennial of metallic dissonance
that scrapes back against the boots
trying to wilt and depress it
to the wet ground.  I knew
that we could never convince you
of your importance to the world.
That would be an idea
discovered yourself,
maybe later and farther away.
All the men I know discover themselves
in their thirties, when they stop trying
to prove to everyone the importance
of love.  Deep down you want
peace and quiet
just as much everyone else.
So be content with that.

Now and Soon

I understand
that someday, if I work
hard enough, I will be able
to explain something simply
by having a white beard on
my chin.

I understand
that someday, if I work
hard enough, I will see my
child being born and that
will change the way I think
about the world forever.

I understand
that someday, if I work
hard enough, all of my
arrogance will dissolve
with the opening of a flower.

I understand
that someday, if I work
hard enough, I may be able
to end up in your arms every night,
no matter how far away
you are at the beginning of the day.

Tuesday, July 27, 2010

Moving On

I'm alone and awake in my room
that just vomited
three years of accumulated
stuff

into a U-Haul and drove away.
The fan is blowing on high.
I light a candle on the carpet
to dispel evil spirits

that now seem to have free rein
without the totemic pictures
of my family on the walls.
I take a Tylenol

and try to sleep.
My aero-bed is slightly
under-inflated
and I imagine it feels

something like what
sleeping on a cloud
might feel like.
But this room

is a poor substitute
for the night sky:
a lot of empty space
and no stars.

Wednesday, June 9, 2010

Flirting

"I'm electing to go into
mental gymnastics."

She thought that was silly
and laughed at him
in her head,
but all he saw
was a bright red spot
near her cheekbones.

He took it for an invitation.

Friday, June 4, 2010

Night

I'm a cannon in the wind,
wrote the blind poet,
though he could have said,
I'm a cannon of wind

and meant more with that
image than anything before.
Can you believe in me?

Please, he asked,
can you believe in me?

And people did, and they
got close to worship.

But little happened after that
and he remained a blind poet,
directing the wind
here and there
and all around.

Like a sad song, or a dream
unfulfilled, he spit words
into a fan, watched them
come back at him
and caught them
to turn them back again.

Would that he could create
a uniquity,
a dream of something else,
that meant something.

Nightmares

I'm the sound of a fan
in the middle of the night

when you wake up
to the small sounds
of your heart beating
and your fleeting desires

creeping by the bubble
of sleep that surrounds
the fragile psyche of you

in the dead of night.

I dreamed a dream
of me being put
into a full-body cast
for the sake of art

and those around me
promised me they would
do the same, but I never
saw it done.

So I was frozen into a cast
of myself and put on display
for three days while art
matured into something

worth being.  This scared
the living shit out of me.

And I awoke trembling.
And found I was still free
and went back to sleep,
a prisoner of my dreams.

Inspiration

She writes a little note on the back
of her hand.

"I'm a teacup in the wind."

And sets out to be the greatest,

the most simple,
the understated believability
of a generation.

"Will you dream me a genie?"
she asks to the night sky
and it does, a dragon,
to light her way in the black
cold night of exhalations
without inspirations.

I'm a dreamer in a wild world,
she writes to the dreamy star sky
and I'm not anything less or
anything more
than that.

"Will you believe in me?"
she asks her sad old man
of a boyfriend, who sits
and thinks
and sits
and thinks all the time

of the dreamy times of autumn
and the dreamy times of spring

in a silly small world
that used to exist

but never will again.
She writes and writes
and writes and writes
and it comes to very little

but it all means something
to her dreamy thoughts.

The sun went down on the world
and she ways always happy,
in a frightened
high-pitched
sort of way.

And dreaming of Saturn and Mars,
she watched the stars twinkle out
and the dragon lose its fire
and all the sudden, the quiet
lay awake the way quiet does
in the middle of the night.

And inspiration began again.

Friday, May 28, 2010

I was a schoolchild
in early autumn

waiting for the bus
with my mother.

In the early morning
light, it was there

yellow and hard
and terrifying,

a beast equipped
to rip
me from the womb.

I stood, my red
plastic lunchbox
in my hand,

a freshly made
bologna sandwich
with white bread
and mayonnaise

beginning its trek
to first grade.

I cried
when the doors
opened
to swallow me.

I forgot
when they
opened
to let me out.

Sunday, May 23, 2010

Starting a Fire

When you brought me back from the hospital
I saw you in flashes:
sitting on a chair,
eating too buttery quinoa,
turning on the microwave.

You were busy.

I was an otter
in an oil spill.
I slept and woke,
found you were gone

and slept again.
You woke me up
again much later when
you told me I was grumpy
and I laughed the whole way
home from the train
and found I needed to create
something pretty.

So I put up a tent
in my room and changed
the sheets on my futon
and strung Christmas lights
above our heads because
I couldn't quite get the stars
to come out on my apartment
ceiling.  You were tired
but loved the thought

and we slept under the sky
of my room, folded over
and under like a matchbook,
and it felt,
for an orange moment,
like we were the last
two people
on the coast
as the sun went down
on the world

forever.

Saturday, May 22, 2010

Wine

“He makes a Merlot,” she said
unconsciously running her eyes into his
and laughing there at the collision.
Awkwardness died.  He laughed.
“Merlot is a combination of two kinds
of grapes, but I can’t remember
the rest.”  He hoped a bottle 
was waiting for him 
at the end of the conversation.  
“You wanna take a walk on the beach?”
she asked, not really thinking
the question would be something
worth kissing over.  “Yes.”
He smiled
and wandered into her footsteps
laced his fingers with hers
and sewed them together
by brushing the sand 
from her knee.
“You don’t need to do that.”
He smiled
and laughed into her eyes
sparkling in the purple ocean
like two grapes just picked 
from the vine.  How he longed
to see them ripen with age,
pressed and emptied of tears
so that joy
made up the rest of it all.
“Two kinds of grapes,”
he said, leaning closer.
“Yes,” she breathed.
“One is never enough.”