I was a schoolchild
in early autumn
waiting for the bus
with my mother.
In the early morning
light, it was there
yellow and hard
and terrifying,
a beast equipped
to rip
me from the womb.
I stood, my red
plastic lunchbox
in my hand,
a freshly made
bologna sandwich
with white bread
and mayonnaise
beginning its trek
to first grade.
I cried
when the doors
opened
to swallow me.
I forgot
when they
opened
to let me out.
Friday, May 28, 2010
Sunday, May 23, 2010
Starting a Fire
When you brought me back from the hospital
I saw you in flashes:
sitting on a chair,
eating too buttery quinoa,
turning on the microwave.
You were busy.
I was an otter
in an oil spill.
I slept and woke,
found you were gone
and slept again.
You woke me up
again much later when
you told me I was grumpy
and I laughed the whole way
home from the train
and found I needed to create
something pretty.
So I put up a tent
in my room and changed
the sheets on my futon
and strung Christmas lights
above our heads because
I couldn't quite get the stars
to come out on my apartment
ceiling. You were tired
but loved the thought
and we slept under the sky
of my room, folded over
and under like a matchbook,
and it felt,
for an orange moment,
like we were the last
two people
on the coast
as the sun went down
on the world
forever.
I saw you in flashes:
sitting on a chair,
eating too buttery quinoa,
turning on the microwave.
You were busy.
I was an otter
in an oil spill.
I slept and woke,
found you were gone
and slept again.
You woke me up
again much later when
you told me I was grumpy
and I laughed the whole way
home from the train
and found I needed to create
something pretty.
So I put up a tent
in my room and changed
the sheets on my futon
and strung Christmas lights
above our heads because
I couldn't quite get the stars
to come out on my apartment
ceiling. You were tired
but loved the thought
and we slept under the sky
of my room, folded over
and under like a matchbook,
and it felt,
for an orange moment,
like we were the last
two people
on the coast
as the sun went down
on the world
forever.
Saturday, May 22, 2010
Wine
“He makes a Merlot,” she said
unconsciously running her eyes into his
and laughing there at the collision.
Awkwardness died. He laughed.
“Merlot is a combination of two kinds
of grapes, but I can’t remember
the rest.” He hoped a bottle
was waiting for him
at the end of the conversation.
“You wanna take a walk on the beach?”
she asked, not really thinking
the question would be something
worth kissing over. “Yes.”
He smiled
and wandered into her footsteps
laced his fingers with hers
and sewed them together
by brushing the sand
from her knee.
“You don’t need to do that.”
He smiled
and laughed into her eyes
sparkling in the purple ocean
like two grapes just picked
from the vine. How he longed
to see them ripen with age,
pressed and emptied of tears
so that joy
made up the rest of it all.
“Two kinds of grapes,”
he said, leaning closer.
“Yes,” she breathed.
“One is never enough.”
Tuesday, May 18, 2010
Looking Glass
Did I dream it this way
or did it just happen,
like the accidental passing
of a bicycle beneath
a Paris window
as I sipped orange juice
and dissembled the morning
headline. Red frame
and boxcart wheels
rolling like a world war two
film around the corner
and down the cobblestone
street. Did I dream it?
Back to the paper. You
were painted across 'Les Loisirs'
opening your film. I groped
for the present. Did I dream it?
But there you were
your gleaming smile
like the old front-row gas lights
that lit up vaudeville,
and there you were too,
asleep in our canopied bed,
an angel with a secret. I sipped.
Paris was alight with your
beauty, you were 'le testament
a la vieille beaute'. I chuckled.
And then thought back and back
in the past, where we both poor
and working too hard, and slightly
unhappy. I remembered dreaming
a poem like this one, and found
it easy to recognize my prescience
as a grandiose gesture of love.
A morning poem of love
to keep us both alive and hoping.
I chuckled. Did I dream it?
or did it just happen,
like the accidental passing
of a bicycle beneath
a Paris window
as I sipped orange juice
and dissembled the morning
headline. Red frame
and boxcart wheels
rolling like a world war two
film around the corner
and down the cobblestone
street. Did I dream it?
Back to the paper. You
were painted across 'Les Loisirs'
opening your film. I groped
for the present. Did I dream it?
But there you were
your gleaming smile
like the old front-row gas lights
that lit up vaudeville,
and there you were too,
asleep in our canopied bed,
an angel with a secret. I sipped.
Paris was alight with your
beauty, you were 'le testament
a la vieille beaute'. I chuckled.
And then thought back and back
in the past, where we both poor
and working too hard, and slightly
unhappy. I remembered dreaming
a poem like this one, and found
it easy to recognize my prescience
as a grandiose gesture of love.
A morning poem of love
to keep us both alive and hoping.
I chuckled. Did I dream it?
Sunday, May 16, 2010
The Last Word
A small scene in a restaurant:
"What are you going to have?"
"I don't know, I haven't seen a menu."
"It's right there - "
"I know, I'm just getting myself situated."
"Why?"
"Why? What do you mean, why? Why what?"
"Why are you getting yourself situated? What is there to situate?"
"My chair is too far under the table -
"What?"
"My chair is too far under the table, I'm getting squished."
"So move it."
"That's what I'm trying to do, but it's stuck, there's something - oh jesus..."
"What?"
"There - there's gum underneath the seat."
"What?"
"There's gum underneath the seat. I put my hand underneath and gum was underneath the seat, under the seat."
"Gross."
"Yes. I'm going to wash my hands. Wash up. Order me an old-fashioned. Now - "
"A what?"
"An old-fashioned. The drink."
"That's a drink?"
"It's a cocktail. It's whiskey with something and a twist of lemon."
"Gay."
"You're hilarious. Why do I even - ? Can you just help me get out of my seat? Please? "
"Are you stuck?"
"Yes I'm stuck, I'm fucking stuck underneath this goddamn table with the Doublemint twins, so can you please help me out of my seat so I can wash my hands and then order me a drink so that when I get back, I can start pounding it down quick enough to forget most of this happened or maybe, God willing, the entire evening. Please?"
"Jesus Christ, just ask me then. You don't have to berate me and half the restaurant - "
"Are you going to help me or shall I start praying, because at this point, nothing short of divine intervention is going to get me out of this chair."
"Yes. There. Are you feeling better?"
"Yes. Thank you. I'm going to wash my hands."
"Good."
"Fine."
"Now what drink am I getting you?"
"An old-fashioned."
"You don't want a martini?"
"No, if I wanted a martini don't you think I would have told you?"
"I don't know, you usually drink gin, I was just - "
"Well tonight I want something different. Tonight is about celebrating right? And I haven't even washed my hands yet. I'm going. I'm going to do that. Now."
"Ok. I'm gonna order an appetizer."
"Fine. I'm going."
"You want calamari - "
"I'm. Going."
"Right. Enjoy the view."
"What?"
"What?"
"What does that mean, 'Enjoy the view?'"
"I don't know, it seemed right in the moment."
"I'm going."
"Good. Enjoy the view."
"I will."
"And Happy Birthday."
"I told you not to say anything - !"
"Sorry. Un-happy birthday."
"Thank you. I'll be back."
"Like Arnold."
"Yes. Ha ha. Like Arnold. You're so original."
"So are you."
"That wasn't a compliment."
"I took it as one anyway."
"What are you going to have?"
"I don't know, I haven't seen a menu."
"It's right there - "
"I know, I'm just getting myself situated."
"Why?"
"Why? What do you mean, why? Why what?"
"Why are you getting yourself situated? What is there to situate?"
"My chair is too far under the table -
"What?"
"My chair is too far under the table, I'm getting squished."
"So move it."
"That's what I'm trying to do, but it's stuck, there's something - oh jesus..."
"What?"
"There - there's gum underneath the seat."
"What?"
"There's gum underneath the seat. I put my hand underneath and gum was underneath the seat, under the seat."
"Gross."
"Yes. I'm going to wash my hands. Wash up. Order me an old-fashioned. Now - "
"A what?"
"An old-fashioned. The drink."
"That's a drink?"
"It's a cocktail. It's whiskey with something and a twist of lemon."
"Gay."
"You're hilarious. Why do I even - ? Can you just help me get out of my seat? Please? "
"Are you stuck?"
"Yes I'm stuck, I'm fucking stuck underneath this goddamn table with the Doublemint twins, so can you please help me out of my seat so I can wash my hands and then order me a drink so that when I get back, I can start pounding it down quick enough to forget most of this happened or maybe, God willing, the entire evening. Please?"
"Jesus Christ, just ask me then. You don't have to berate me and half the restaurant - "
"Are you going to help me or shall I start praying, because at this point, nothing short of divine intervention is going to get me out of this chair."
"Yes. There. Are you feeling better?"
"Yes. Thank you. I'm going to wash my hands."
"Good."
"Fine."
"Now what drink am I getting you?"
"An old-fashioned."
"You don't want a martini?"
"No, if I wanted a martini don't you think I would have told you?"
"I don't know, you usually drink gin, I was just - "
"Well tonight I want something different. Tonight is about celebrating right? And I haven't even washed my hands yet. I'm going. I'm going to do that. Now."
"Ok. I'm gonna order an appetizer."
"Fine. I'm going."
"You want calamari - "
"I'm. Going."
"Right. Enjoy the view."
"What?"
"What?"
"What does that mean, 'Enjoy the view?'"
"I don't know, it seemed right in the moment."
"I'm going."
"Good. Enjoy the view."
"I will."
"And Happy Birthday."
"I told you not to say anything - !"
"Sorry. Un-happy birthday."
"Thank you. I'll be back."
"Like Arnold."
"Yes. Ha ha. Like Arnold. You're so original."
"So are you."
"That wasn't a compliment."
"I took it as one anyway."
Thursday, May 13, 2010
At Ease
If I were a king
I'd start with
the little ones
and bring them
up in a world
that didn't have
lists and ordinary-
ness and lying.
Then I'd move
on to the big ones
and them I'd kick
out into the wild-
erness for a while
to remember what
it was like to be
little. Then while
everyone was
occupied, I'd steal
a horse and ride
away to see if they
could solve problems
on their own. Then
I'd come back a year
later and start over
and everyone would
love that about me
and hate that about
me all at the same
time. But things
would get done.
There would be
plants growing
from the bigs'
wildness and
art growing from
the littles' un-
ordinariness.
Then we could
nourish body
and soul and
sit on the porch
watching stars
come out like
twinkly fireflies
among the trees.
And we'd all
have poetry woven
in our hands
like miniature
Greek gods and
all that was good
would come back
to the world because
the littles don't tell
lies and the bigs
work hard and I'd
laugh and laugh
because it's all so
simple when you
really put your mind
at ease.
Friday, May 7, 2010
Mediocre
I'm a liar
he wrote passively through the night.
I'm a liar
and I've nothing to show for it. I don't
lie about anything useful, I lie about
my resume
(read the attached memorandum
about how I once climbed Everest
without the slightest hint of oxygen)
or the day of the week
(like the world is on Monday
and I'm at Friday cause Tuesday
is my rest day)
but I can't help lying. I can't help
forging and engorging my shallow
statistics to something prolific
because I'm no Einstein,
I'm a dropout of the '90s
without a lifeline.
I'm too nice. I'm too sweet.
I can't force anyone to listen
to anything I have to say
because frankly,
it isn't that interesting anyway.
I can't tell a story.
I don't have jokes.
I have meaningless banter
and tired old hearsay
that everyone else has heard
everyone else say
on TV last Wednesday.
I'm not that funny.
I'm unreliable.
I work as much as I have to,
because responsibility terrifies me
like the world or the sea
kind of terrifies me.
I won't be convicted,
won't be interesting enough to remember
I'll be mediocre
and not cause trouble
cause that's what I was taught -
to take your problems into nature
and forget the world
like a blank piece of paper
and start over again.
But maybe that's what peace is.
A boring man in a fishing boat
casting his line to the bank
and quietly reeling for hours
at a time, listening to breath
and the wind passing by.
Maybe that's what peace is.
And peace is boring. There is
no peace in New York City
like there's no peace in a rapine brain,
that conquers a new problem
a thousand ways every night
but doesn't allow me the rest
to get it right.
I can't sleep tonight. I'm like
a retired thoroughbred screaming
for the track
for the abrasive attack
for the consistent lack
of anything
but form
and mud
and sweat
and blood
and quiet thunder
through a minute and a half
of pure energy.
Give me lightning on a sunlit day
hit me with it
and I'll burn down, then come back again
better than before, but give me
lightning from the endless blue
and I will draw beauty
from this charcoal pit city.
Just yesterday the man on the train
said hey man I've got jokes for a brain
and steel for an arm
but I'm happier than you
and your distant heart.
And that probably matters
because every checkbox
I checked today said I was
happy 'a little of the time'
and depressed
'some of the time'
and anxious
'some of the time'
and tired
'ALL OF THE TIME'
and I am tired
ALL OF THE TIME
because I can't sleep
in the middle of the night
when these thoughts creep up
like a cat from a storm drain.
But I can't ignore them.
Poetry is the voice
of giants through
the end of a piccolo.
It's the high
ringing in
your ears.
It's the remnants
of a broken heart.
It's sleepless nights
pulling air into art.
It's sleepless nights,
watching air
turn into art.
Thursday, May 6, 2010
Monday, May 3, 2010
Jumping Off
When did I last find something worth creating?
he said as he wrote down myriad triangles of spiral
thoughts and vested interests. When did I last
find something worth creating?
In the end, the answer was a simple one: there
was never something worth creating, just as
there was never something to begin with.
It was always just there.
In a dream once, it came to him,
like some kind of prose powerpoint presentation:
the image of man standing ankle-deep in a puddle,
clutching the remnants of a skeletal umbrella,
and whispering softly as the rain, "I am free."
It echoed throughout him, a vague vessel
for the entirety of existence to swell into,
and it sounded like thunder on the horizon
when the sky grows green.
I could light a lamp, he thought. I could paint
a masterpiece. I could troll in shallower waters,
near the banks and under the fallen trees,
and maybe then I might catch something
worth filleting, cooking and eating.
But that all seemed too easy, like every book
ever written that has the same story in it
Homer wrote three thousand years ago.
Like every book worth reading is a story
we all knew in the first place, a story we
were all born with, a story placed in our heads
by that speckle of stardust we all carry around,
that we recognize somewhere inside
when thunder rolls on the horizon
and lightning turns the sky gray-green.
How the wind blows sometimes
he thought, and it did, straight through
the meager tenement apartment,
crackling paper and lighting up dust
like a great battle on a dry plain
hungering for the blood of creativity
to pull it from the stacks and make
something of it in the end. But
something became too much too quickly
and that was it, the same meaning, over
and over and over again, that it all was
written ten thousand times before
and all will be written ten thousand times
again and if just one word might be different
somewhere
he wanted to know it. He wanted to see
the word and smell the word like a thunderstorm
on a dry summer night,
with lips cracked and bleeding
from a lack of foresight
and he wanted to taste
water
and
lightning
and
simmer
in the
brightening
newness of summer white light
on pale golden water
a moment before
the dive.
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